Grey’s Anatomy
Grey ’s Anatomycreator Shonda Rhimes wanted to do a melodious episode of the medical drama as early as the pilot , but"Song Beneath the Song"wouldn’t air travel until the backend of season 7.Grey’swasn’t the first nor last show to do a musical instalment , but in over 400 episode and counting ofGrey ’s Anatomy , the musical episode stands out as one of the most memorable . Rhimes had been met with resistance in the making of the musical episode , but class after number up with the vision , it became part ofGrey ’s Anatomyhistory .
Beyond the drama , Grey’sAnatomyis known for its music . The championship of everyepisode but one ofGrey ’s Anatomyis a song referenceand the show ’s soundtrack is carefully curated by music supervisor Alexandra Patsavas . The series even avail bolster up the popularity of artists like Snow Patrol when their call were used within the episode to create epic scenes and melodious minute . Rhimes even said finding new medicine forGrey ’s Anatomy"has been one of the best part of the show"for her ( viaTVLine ) . TheGrey’scast was also full of melodious endowment , from Tony Award winner Sara Ramirez ( Callie Torres ) to Chandra Wilson ( Miranda Bailey ) and Kevin McKidd ( Owen Hunt ) , so a musical instalment was a no - brainer for Rhimes and her co - showrunner Joan Rater . However , convincing the mesh to get on board was n’t as well-to-do as they foretell .
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Why The Grey’s Anatomy Musical Was Initially Rejected
Rhimes said that when she first pitch the musical episode , someone at the web told her , “ Ca n’t you just do one of your love - triangle thingies again ? " ( viaShondaland ) . It was n’t just the electronic connection either , cast appendage likePatrick Dempsey and Ellen Pompeo hated the melodious sequence . Disney had apparently think that a musical episode would be too much of a going away from what they believed the show was about , and why mass tuned in weekly . Rhimes disagreed , and continued to fight for her melodious episode alongside Rater and some of the cast extremity who were on board , include Ramirez , Wilson and McKidd .
How The Grey’s Anatomy Musical Episode Eventually Got Approved
After seasons of make song synonymous withGrey ’s Anatomy , Rhimes and Rater decide that their musical episode should not have original call , but the cast whistle songs thatGrey’seither made illustrious or were used in iconic scenes . " How To hold open A Life " by The Fray , " Chasing Cars " by Snow Patrol , and " Breathe " by Anna Nalick were some of theGrey ’s Anatomycallback songsincluded in the musical episode . To convince the executives to green - lightness the instalment , the aforementioned musically gifted cast members along with Rhimes presented the episode to the studio , vocalizing of these songs include . By the end of the"show - and - tell,“as McKidd call it , they had receive the go - ahead for the melodic episode .
Rhimes separate Shondaland that win over the cast to get on display panel was n’t an easy project either , with Sandra Oh ( Cristina Yang ) being the only cast member given permission to not let the cat out of the bag at all as Rhimes feel it would ’ve been out of character for Cristina anyway . The mold embarked on months of rehearsals and voice lessons to prepare for the crowing musical episode . Due toSara Ramirez ’s musicalbackground , Rhimes decided to revolve about the plot around Callie ’s character as a dupe of hurt . The instalment was not just a major episode musically , but plot - wise as well , as the Dr. all worked to save Callie and her unborn tiddler following a elevator car crash . It consider some time and is still met with mixed reactions to this Clarence Shepard Day Jr. , but theGrey ’s Anatomymusical episode will go down as one of its most iconic .
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