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Summary
WithUrusei Yatsuraand nowRanma 1/2getting rebootsthese past few years , Rumiko Takahashi’sMaison Ikkokuremains the lone story yet to get a tonic adaption . With the manufacture seemingly eager to revive the writer ’s catalog , it feels inevitable that Takahashi ’s stay on manga gets a newfangled anime - and also incongruous that it still has n’t since 1986 . But perhaps it may finally only be a subject of time now .
Takahashi ’s body of work tend to be remembered as a quaternity : Urusei Yatsura , Ranma 1/2 , Inuyasha , andMaison Ikkoku . While the former three have seen reboots and sequels in the retiring decade , Maisonstands out for remaining untasted since its first anime adaptation decades ago .
While there has been no explanation for such apprehension , it will be hard to ignore when evenRanma 1/2is returning to TV later this class .
It’s Time for a Maison Ikkoku Reboot
“Ordinary” Romance Is No Excuse To Skip Adaptation
Maison Ikkoku’splot is comparatively ground , focalise on Yusaku Godai ’s budding kinship with Kyoko Otonashi , manager of the titular embarkation house , along with other misadventures per chapter . Of Takahashi ’s catalogue , Maison Ikkokucan be considered the unpaired duck with its down - to - earth locus , whereas the source ’s other chronicle inject some supernatural element to shake up how the boy meet the girl .
Yet withInuyasha’s2020 sequel , Yashahime : Half - Demon Princess , along with MAPPA ’s upcomingRanmaadaptation , Maisonfeels funnily missing now with only its 1986 gum anime . Even Takahashi ’s latter manga received more late adaptations , likeMermaid Sagain 2003 andRin - nein 2015 . The possibleness be that Takahashi has become inextricably associated with " supernatural " read-only storage - coms , which would makeMaisonout of theatrical role , or somehow even " deadening " to accommodate .
Nonetheless , it remains one of Takahashi ’s most popular manga . With her other three most illustrious tale seeing clean adaptations this ten , any " Rumiko Takahashi fever " fascinate the industry would n’t be consummate without revisitingMaison Ikkoku . Now could n’t be any better timing : UruseiandRanma ’s revivals banking concern firmly on fetch back series from the 1980s , andMaison Ikkokuwould agree dead with this sort of marketing push . The same can be pronounce for its genre in today ’s landscape .
Maison Ikkoku Is Right at Home With Today’s Love of the Ordinary
Whileshonenand battle Zanzibar copal were pop in the early 2000s , the last two 10 have essay the stay power ofslice - of - life seriesand domestic rom - coms . Maison Ikkokuis a veritable grandmaster in this theater , with its context arguably set the touchstone for " wacky embarkation firm romances " that has even been revisit this year withAstro distinction .
Yusaku and Kyoko are correct at home plate with all the other mundane dramas that are democratic today ; as is , Maison Ikkoku’sonly rest crotchet is a missing 2020 adaptation - something that can be easy rectified , and withRanma 1/2 ’s impending premiere , should even be expected .
