Shang-Chi and the Legend of the Ten Rings
Despite being two of the highest - gross films of 2021,Spider - Man : No Way HomeandShang - Chi and the Legend of the Ten Ringscontinued the Marvel Cinematic Universe ’s spoiled Oscars streak . Since its origination , the MCU has garner several Academy Award nominations . However , superhero films typically do not win Oscars , so these recognitions do not guarantee victory . In fact , the blockbuster enfranchisement has only make headway a smattering of honor despite its massive , ever - rise library of big - budget motion picture .
Among the dozens of commercially successful and critically acclaimed MCU unveiling , Black Pantherstood out by being name in seven Academy Award categories . The Chadwick Boseman - led heroic poem also became the first MCU picture show to win an Academy Award , bringing home the Best Original Score , Best Production Design , and Best Costume Design . Prior to that , most of the nominations receive by the franchise were in the Best Visual Effects family . So far , theIron Mantrilogy , The Avengers , Captain America : The Winter Soldier , theGuardians of the Galaxyduology , Doctor Strange , Avengers : Infinity War , andAvengers : Endgamewere recognize for that merit .
The late addition to theMCU ’s listing of Oscar nominationswereSpider - Man : No Way HomeandShang - Chi and the Legend of the Ten Rings . Both were up for the Best Visual Effects class at the 2022 Oscars , but unluckily , they lose to the sci - fi epicDune , which was also the most - award film of the night . By failing to guarantee a win , Spider - Man : No Way HomeandShang - Chiextended the MCU ’s record of not winning a single Academy Award for Best Visual Effects . While the franchise has use impressive technology during the output of its films , this losing spell is arguably unsurprising .
Why MCU Movies Never Win The Oscar For Best Visual Effects
Undoubtedly , thesuperhero pic produced by Marvel Studiosare visually sensational masterpieces — from the motion gaining control technology to their action - packed third - act struggle . However , these computer - generated trick are not unique to the MCU , as other modern blockbusters have also utilized the same technology , almost with the same level of execution . to boot , as more Marvel films are created , the expectations become higher ; as a resultant , viewers and critics likewise have become more critical . Although the ocular consequence of these film are not particularly inferior , they have been overly used throughout the years . There are simply too many scenes that unnecessarily and quite observably use digital effects , instead of shooting on location or maximizing the factual doer . Considering the sizeable production budget and outstanding talent that go into each film , this then causes aCGI trouble in the MCU .
Granted , swear on optic effect is a cost - in effect and prison term - efficient way of tweaking scenes in post - production rather than reconstruct the whole film . They are also involve to properly showcase the MCU ’s fancied locations and superhuman abilities . But in a time when practical effects are coming back and offer a more compelling and immersive experience for the hearing , films that look too much on CGI are not that strange anymore . LikeSpider - Man : No Way HomeandShang - Chi and the Legend of the Ten Rings , the MCU might still be applauded for their work on visual effects , but unless they rock thing up , they will not bag that coveted Oscar .
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