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Christopher Nolan is one of the most dear and brilliant theatre director in Hollywood . He put himself on the mapping withMemento , he capture the horrors of war inDunkirk , and he switch the face of the superhero music genre withThe Dark Knighttrilogy . The winner of his voluminous , time - bend cinematic epics has proven that mainstream consultation can still be becharm with an original property likeInceptionorInterstellar .
Some of Nolan ’s flick , like the diabolically complexThe Prestige , have proven to be more rewatchable than others , like the overlong , overcomplicatedThe Dark Knight uprise .
Interstellar (2014)
Nolan ’s spaceflight epicInterstellar , rework from a Steven Spielberg projectthat was sting in exploitation hell for years , has undeniably stunning visuals . But its aimless plotting and overlong runtime permit it down on rewatches .
It set about off strong with its subversive portrait of a futuristic Dust Bowl , but the plot meanders from major planet to planet , waxing poetic about the quantifiability of love , until Nolan is ready to divulge the big twist ending : Matthew McConaughey is a clock time - traveling bookcase .
The Dark Knight Rises (2012)
The magnanimous finale of Nolan ’s Batman trilogy , The Dark Knight Rises , had the burden of topping the spectacle ofThe Dark Knight , which was already as epic and mega - scale as a movie can be . The Dark Knight Risesended up run way too with child , animate the French Revolution on the streets of Gotham .
Tom Hardy ’s Bane is no Heath Ledger ’s Joker , but he gives a memorable enough carrying into action to warrant a couple of revisits . The Dark Knight Risesdrags onfor far too long , and Bruce Wayne spends most of the runtime in a pit with a broken back .
Insomnia (2002)
Nolan ’s only remaking of another filmmaker ’s workplace , Insomnia , is a stock consecutive grampus thriller . It ’s also the only movie that Nolan did n’t write for himself , so it has an uncharacteristically formal body structure .
Still , it ’s a solid offence thriller . Nolan bring the parky Alaskan setting to life . Insomniais anchored by Robin Williams ’ haunting carrying into action as a killer opposite Al Pacino ’s grizzled cop .
Tenet (2020)
Nolan ’s most recent motion-picture show , the James Bondian espionage epicTenet , needs to be viewed more than once to make forefront or empennage of the time - traveling spy trick .
The overcomplicated spy - fi plot has a few hole that abide out on rewatches , but on the whole , Tenetis an military action - pack rush - ride full of breathless hardheaded stunt shot on glorious IMAX cameras .
Batman Begins (2005)
Superhero origin write up are inherently less rewatchable than the sequels that can parachute right into the action . But as far as origin movies go , Batman Beginsis pretty awesome . The refreshing gritty naturalism ofBatman Beginsrevitalized the genre .
Nolanexplored the Bat ’s backstory in more depththan ever before , detailing his fight grooming with the League of Shadows before he don a cowl and started fight crime in Gotham .
Memento (2000)
The movie that catapult Nolan from his indie root into a world of cushy studio apartment gigs was his iconic psychological thrillerMemento , about an amnesiac man trying to figure out who murdered his wife .
Its Oscar - nominate screenplay follows a complicated story structure that moves all over the timeline . one-half of it is told in chronological monastic order and the other half is severalize rearwards . finally , the twain foregather in the middle . LikeTenet , Mementoneeds to be watched at least a few times just to be understood .
Inception (2010)
In 2010 , Nolan took a break from make Batman movies to harness an original story : his mind - boggling sci - fi epicInception . Despite its task runtime , Inceptionis a movie that can be enjoyed over and over again .
Dunkirk (2017)
Thanks to enthralling cinematography , razor - acute editing , and a Hellenic wall - of - effectual score by Hans Zimmer , Nolan ’s World War II epicDunkirkmaintains a feeling of visceral chroma from start to finish . Nolan essentially just re - staged the entire Dunkirk voidance and pointed camera at it . This is one of the director ’s most ambitious and rent time - bending experiment , cutting between a calendar week on the beach , a day at sea , and an hour in the melodic line . The movie builds to an immense payoff when these three story threads converge at the coming .
Dunkirkisn’t just a judgment - fellate refreshment of a excruciating historic event ; it attractively seize the Dunkirk spirit . Despite the devastating licking , the motion-picture show ends on a bright short letter . The soldier vex they ’ll be stray out as Ishmael when they get home , but everyone at home is just happy they made it back .
The Prestige (2006)
Nolan ’s taradiddle of rival magicians , The Prestige , holds up to countless rewatches . Scripted , guessing , and edited with the precision of a magic prank , The Prestigewas cautiously designed to be enjoy again and again by eagle - eyed audiences .
The pic is built around its twists and turn of events , and Nolan filled the first two Acts of the Apostles ( “ the toast ” and “ the twist ” ) with hints at the shocking destiny that awaits the lineament in the third act ( “ the prestigiousness ” ) .
